Guernica's Garden and Other Poems
by Elizabeth Wickland
GUERNICA’S GARDEN
after Picasso’s Guernica
For all the dismemberment,
anguish, killing, and gore,
the sword bears a flower:
Picasso demands more.
What if the disruption of war
were the plowing of soil,
where something good grew
from all of the toil?
What if we learned to plant
what’s returning—
perennials and trees—
instead of tilling and burning?
What if we broke
the cycles of breaking;
if the land were for planting
instead of for taking?
What if we didn’t
rely on their blood
to feed the earth,
to clear-cut and flood?
What if, instead
of starting anew,
we learned to sow seeds
seeing what grew?
Transforming the conflict
from wasteland to woodlet,
where the cash crop
is forgiveness, and we could let
hatred be weeded,
manure turned under,
hearing rain and not terror
at what sounds like thunder.
But what if this garden
is still far off—
Then we start with the small;
we choose one thing soft,
Like responding with patience
instead of with power,
or trading the sword
for a spade and a flower.
MORNING IN THE GARDEN
I stand, rooted
in grief
when my ears receive
what my thoughts
cannot conceive:
My Name.
Song sung
from beneath the grave,
rooted in the very foundation—
I am moved
in the resonant calling
of the one
I Am
What do I do from here
but echo the refrain:
sing the tune
without the words
and never stop at all…
Isn’t that what we’ve been doing
since the beginning,
from the moment we were plucked
from the grave, plucked
like a lute, plucked
like a flower
for the gardener’s beloved?
PROPAGATION
On the windowsill they glow,
feeding
on sunlight and water.
Untethered leaves
reaching out tentative threads
in search of connection.
They stretch further
and further, growing
in boldness
as if they understand
on a cellular level
that life can only be sustained
rooted
in the life-giving matrix
of community.
ELIZABETH WICKLAND
Elizabeth Wickland lives with her husband and two Yorkies in Bozeman, Montana. She loves words and their stories and has responded to life through poetry and art for as long as she can remember. Elizabeth also enjoys gardening and cultivating beauty in her small corner of the world, whether in person or online. She writes for The Black Barn Online, and her published work includes The Unmooring, Calla Press, The Way Back to Ourselves, and The Rabbit Room Poetry Substack, among others.
You can find her on Instagram at @punamulta.priory and at elizabethwickland.substack.com.