Spring Is Not Gentle

by Sarah Spradlin

SPRING IS NOT GENTLE

Spring has calluses and

dirty fingernails.

Her favorite colors are not pastels,

and she does not wear tulle or

know what a doily is.

Spring is a wild woman,

a busybody with twigs in her hair,

who sings too loudly and

doesn’t apologize

for how many dandelions sprouted

in your lawn this year.

Spring shepherds the brutal deluge

of our un-bottled tears

and strings the salt of our sorrows

like pearls around her neck

before going to work

the furrowed fields of lament

where flood waters haunt us and bear witness

to the violence of resurrection.

After she wakes up the whole wood,

Spring will go down to the river

and be baptized

under the stagnant tide

then slip away

leaving behind

tightly tucked quilts

of soil and seeds.

She feels through the flotsam

for a treasured token we abandoned,

trapped in a tomb of tangled roots,

like a headstone for the faith

we buried there.

She carries her salvage back like an olive branch

and triumphantly sticks it on our mantle

as a silent testament to what is true:

when we remain with what was lost,

we will be the first

to glimpse the restoration

of all things.

She takes leave of us abruptly—

about the time we’ve decided

we like having her around,

she plants muddy footprints

on freshly mopped floors,

blesses the threshold meant to keep her out,

and, eyes twinkling, says,

Enjoy the mess.

We try not to worry,

try not to run after her.

She’ll be back again,

when we least expect her,

and she won’t bother knocking.

We come to know Spring best

by what she’s left behind:

In her wake,

we’ll whisper about

the wildflowers she planted

to bind up the scars

of her earth-worked wounds.

We learn to love the life she sowed

with hardened hands,

unleashing blazing blossoms

to thaw the icebound, barren meadows

where our hopes hibernated.

Spring swamps us, and,

like all the grief we carry,

changes the landscape.

But Spring also braves our winter-wounds,

washes our feet,

and invites us to feast,

anointing us with

untamed hope,

so we, like the trees,

might wake up and watch

good things grow

out of garden graves.

SARAH SPRADLIN

Sarah is a farmer and storyteller raised in Georgia. Now, she lives in Central America where she's worked in cross-cultural ministry since 2020, which, at the end of the day, boils down to planting things, talking to people, and writing poetry on long bus rides. Her poetry has been published with Story Embers, Kingdom Pen, and Ekstasis, and you can read more of her work on her Instagram: @sarah.spradlin.


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Stanley Kunitz and Me in the Garden